{"attributes":[{"trait_type":"Artist","value":"Peter The Roman"},{"trait_type":"Artwork","value":"Apocalyptish"}],"description":"*Apocalyptish* draws loosely from the symbolism of the Four Horsemen of the Apocalypse,\nchanneling a sense of unease in response to the state of the world, its chaos, collapse,\nabsurdity, and quiet despair. *Apocalyptish* suggests something not quite end-times, but\nhovering close, an almost-apocalypse, theatrical and slow-burning, though with the creeping\nsense that the fire is already in the room, and everyone can smell the smoke.\n\nRooted in the visual language of kitsch porcelain figurines, these works transform decorative\ninnocence into grotesque, melting forms. They are sentimental objects reimagined in decay,\ncaught in a state of visual flux, echoing the growing tension between ordinary life and the\nconstant stream of unfolding crises.\n\nThe imagery is developed through a combination of earlier 3D works and AI interventions,\nallowing the past to be reshaped by synthetic tools. The result is a series that feels romantic,\nabsurd, and eerily prophetic, a blurred dialogue between nostalgia, dread, and digital\nreinterpretation.","hash":"0xacb6ff41c829ef81479d8eea26b6bcba9ddb559995b1771640c14dd0ef448037","image":"https://0prod.infura-ipfs.io/ipfs/bafybeibo5skvdc3ris3ijwx4t536czt4o4qobfou5lewa453z44allblri","ipfs":"https://0prod.infura-ipfs.io/ipfs/bafybeibo5skvdc3ris3ijwx4t536czt4o4qobfou5lewa453z44allblri","license":"","name":"Apocalyptish half-truths"}